The problem with the world is that the intelligent people are full of doubt, while the stupid ones are full of confidence. ~ Charles Bukowski
This commentary continues a theme I started in July, where I spin the titles and stories of Charles Dickens toward more contemporary circumstances. The second episode in the series was “Oliver’s Twist,” or “The Parish Boy’s Progress,” set in London’s seedy underworld; it is a story of poverty, corruption, and Oliver’s eventual reclamation. My observations correlate current political actors to the characters therein.
In his novel “Oliver Twist,” Dickens introduced several memorable actors and personalities that remind us of people we know and recognize in contemporary events. Among the significant supporting characters in this story is The Artful Dodger. This title exercises my literary license with that title, adapting it to fit my intentions.
I’m calling this piece “The Artful Codger.” Continue reading

I’ve been distracted for the past few weeks dealing with personal issues; however, I’ve maintained my routine of morning coffee and the usual unhealthy dose of corporate media’s prevarications (bullshit). I’ve discovered that some of my issues stem from the dissonance between what I’m expected to believe and what I experience.
UAW Strike
Bennett just floated another title balloon over the virtual fence – this will be the fourth in the series. Then, just when I thought it was safe to go back into the water, another idea came floating in. I’ll save that one for installment number five.

I usually have two or three commentaries, essays, or a chapter for my book in progress at any given time and switch between them as my muse abets.
I met a friend for a bit of brekky at a Hipster joint on 40th Street and Camelback in Phoenix, AZ.
While enjoying my morning routine of coffee and headlines, profound apprehensions plague me, knowing we’re lost and foundering. Not only as a republic but as a society. Is this awareness the new normal? Is it what we endure and where we abide? Or will we alter our course before this sinking ship of state drags us all under?
My wife and I enjoy movies of the past because they represent the promise of America, offering positive moral assessments and messages. Most of the films are adaptations of books or plays extolling conservative messages.
This commentary speaks to America’s parallel with events that began in 1930s Germany and resulted in the meteoric rise of a right-wing group that eventually became the Nazi Party. But in America, it’s not the Nazis that worry me; it’s the Licentious Left that is most worrisome.
Something Brother David mentioned in his response to my last piece tickled “my little grey cells‘.”
In 1939 America marveled at Hollywood’s masterful adaptation of L. Frank Baum’s 1900 
